Halloween. Or, more accurately, Hallowe'en. Or, most accurately, All Hallows' Evening. A celebration of all that is spooky and dark and scary and twisted. Some people might think it distasteful to celebrate a day that wallows in death in such a way, but you know what? I love it!
I love Hallowe'en more than Christmas, more than any birthday I've ever had or ever will have. I'm not one of those people who dresses up, knocks on doors and scares the living statins out of little old ladies, but I do love a good scare. Fear is one of the basic emotions, and it makes you feel very alive to be scared. Especially when it's all artifice, as Hallowe'en is. Obviously, if there really was a crazed knifeman banging on my window to get in, and it was the height of summer, I'd be as petrified as the next serial killer victim.
Many years ago, when Gareth and I were in the pubescent stages of our relationship, we used to mark Hallowe'en night by settling down and watching a spooky horror film.
But that tradition has grown over the years, and these days we have expanded to marking what we've labelled Hallowe'ek - seven days of spooky goings-on!
American Horror Story: Coven. Not one for ophidiophobes. Or, indeed, gynophobes |
Although this year life seems to have got in the way of Hallowe'ek somewhat, we're still doing our best to uphold the tradition. Last night we watched the 1982 John Carpenter film The Thing - visceral, gory, gooey and thoroughly entertaining (how I wish Carpenter could get his mojo back - it's been lost for decades now). We're also wading through American Horror Story: Coven (Jessica Lange at her crazed best) and have been dipping into the 1986 M R James readings for TV by Robert Powell too.
The crowning glory of Hallowe'ek 2014 will be seeing two productions at The Lowry in Salford Quays (regular readers will know that place is my second home!).
First of all we're seeing The House That Stank of Death (Volume 4), a "unique multi-media comedy/ horror experience featuring short plays and films which will make you scream with terror and laughter". I love the alternative stuff they put on in the Studio at The Lowry, so this should be a real treat (or trick).
Secondly, we're seeing a faithful reading of M R James's Casting the Runes by Nunkie Theatre Company's Robert Lloyd Parry. I've seen Robert recreate James's fireside readings before, and he really does bring the essence of telling a ghost story to its unsettling fundaments - it's just him in period costume, in a big leather armchair, and the whole studio theatre illuminated by candlelight alone.
And it is M R James's expertly crafted words which lift the hairs on the back of the neck: "He put his hand into the well-known nook under the pillow. Only it did not get so far. What he touched was, according to his account, a mouth. With teeth. And with hair about it. And, he declares, not the mouth of a human being..."
Shudder!
And I have other spooky films lined up too: Hammer's The Plague of the Zombies (one of their B-movies which really exceeded the main feature at the time); the silent German Expressionist horror Das Cabinet des Dr Caligari; and Jack Clayton's 1967 overlooked spook-fest Our Mother's House.
So what are my favourite Hallowe'en films of all time, I fail to hear you scream? Well, one of my favourite films of all time, of any genre, is 1963's The Haunting with Claire Bloom and Julie Harris. If you've never seen it, seek it out. It's by far the spookiest, eeriest, most unsettling ghost story I've ever seen committed to celluloid... and the scariest thing is, you never see anything. But my God does it give you the willies!
Michael Myers from Halloween |
What's that I hear? The chiming of a distant clock telling me it's time to get to bed... or my coffin!
Me, when I wake up in the morning... |